|Psst... Don't tell Oliver Queen that I|
stole his gimmick!
Artist: Greg Capullo
Collects: Batman #25-27, 29-33
Ask any DC reader about Snyder and Capullo's run on Batman, and the only words you're likely going to hear will allude to the phrase "nailing it". The industry's own dynamic duo have been, in many ways, bigger heroes than the characters they write/draw; standing strong against DC's attempt to raise the Batman single-issue price to $4.99. When you buy this book, understand that you're buying the industry's best.
But aside from that, in the last volume, Bruce became Batman. During that time, his uncle Phillip, who was running Wayne Industries, fired one Edward Nigma, which will probably have no repercussions whatsoever, right?
Let me save you all some time. The thing you'll find yourself thinking throughout this trade is "Yeah, why not?"
So you still want to read the whole review? Okay.
Gotham has been blacked out. Amidst the chaos, the mother of all storms is coming to Gotham, and Dr. Death is wandering Gotham causing havoc. In the meantime, the Riddler is slowly closing his grip on Gotham and the cops are out to catch Batman and bring him down for his vigilante action at ACE Chemical from last volume.
|He was driving a black... tank- no, wait...|
Want an example? Have a look at this picture on the right. That's the Batmobile. Notice how it looks absolutely NOTHING like the Nolan, Burton, or Batman: The Animated Series version. In fact, it looks like nothing you've ever seen before. My first instinct was to hate it; the Batmobile to me, should be black, long and sleek. This is blue, yellow and relatively squat. I wanted to hate it; I really did. But dammit, Snyder/Capullo, I couldn't bring myself to do it. Somehow, this and various other changes just gelled with me, and I came to love it. I actually want to see this Batmobile again; I want it to be the Batmobile.
And that's a feeling you get throughout the whole book. You want to see the blimp in action. You want more of sleeveless and capeless Batman on a motorcycle. You want to see more of Batman in the day. Somehow, this team takes everything that shouldn't work with Batman and makes it work. They make it work well.
Another thing that should do nothing but annoy me is the fact that, after avoiding it last volume, we get the dead parents story again. I really thought this was going to be cliché and bland. Somehow, Snyder avoids making this same-old-same-old. I'm not sure how he does it, maybe it's that he doesn't let the flashbacks depicting that moment in Bruce's life be something that keeps us from seeing him as Batman. Maybe it's that Bruce doesn't spend this volume agonising over the loss of his folks. Whatever it is, it actually added to the entertainment in that title- something that I was sure wouldn't happen.
But by far the best part of this book is in the second half, where the Riddle has turned the entire of Gotham into a wild wasteland under his control. This is where the big set pieces are; buildings fall on each other like dominos while US marines leap from rooftop to rooftop trying to avoid falling to their doom; whole sections of the city flood, and Batman faces off against lions in an underground carpark. It's intense, it's engaging and it's utterly masterful.
I can't go on too much further without talking about the ending. I won't reveal too much and just say that it's really about Alfred's hopes and dreams for Bruce's future. Hopes that are bittersweetly dashed in one moment. It's by far the most poignant scene in the book and shows just how much Alfred has been the emotional centre of Snyder's run.
|"I am vengeance. I am the... late afternoon... y'know what,|
let's skip that line."
Capullo has been given a time to shine, here. Having so many daytime scenes allows this artist to use *GASP* ACTUAL COLOUR!!! Maybe it was because Snyder wanted to do something new, maybe Capullo was running out of black and grey paint. Either way, these daytime scenes look incredible and, somehow, we don't lose any sense of darkness despite the wide range of colours.
I'm sure someone will call me a DC fanboy for not giving perfect scores to a Marvel book. But you know what? Zero Year- Dark City has well earned it's five out of five empty black and grey paint pots.
+ What shouldn't work, somehow does.
+ Amazing set-pieces.
+ Ending that is bittersweet and beautiful.
+ A dark and gritty story that has actual colour in the art.
Alternate Option: Batman- Earth One Vol. 1&2
An origin story and a Riddler story. Not as good as this one, but still a great yarn.